All Albrecht Durer 's Paintings

The Painting Names Are Sorted From A to Z
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Choice	ID	Image	Painting (From A to Z)	Details
	63756		The Adoration of the Trinity	1511 Oil on lindenwood Kunsthistorisches Museum, Vienna The landscape at the bottom of the panel stretches into the far distance. A lone figure stands on the land - the artist, who has depicted the earthly community being reunited with the realm of heaven. His hand rests on a panel which is inscribed: `Albrecht D?rer of Nuremberg made this 1511 years after the Virgin.'Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious
	88404		The Adoration of the Trinity	1511(1511) Medium Oil on linden Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in). cjr
	92060		The Adoration of the Trinity	1511(1511) Medium oil on linden cyf
	92061		The Adoration of the Trinity	1511(1511) Medium oil on linden cyf
	21360		The Adoration of the Trinity (mk08)	1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum
	39697		The All Saints altarpiece	mk150 1511 135x126.3cm
	39694		The AllSaints altarpiece	mk150 1511 135x126.3cm
	42427		The Angel with the key to the Bottomless Pit	mk168 393x283mm
	42429		The Apocalyptic woman and the seven-Headed Dragon	mk168 392x279mm
	96586		The Apostle James the Elder	1516(1516) Medium tempera on canvas Dimensions Height: 45 cm (17.7 in). Width: 38 cm (15 in). cjr
	42490		The Apostle paul and the evangelist Mark	mk168 Oil on linden wood 214x76cm
	42489		The Apostles john and Peter	mk168 1528
	63750		The Apostles Philip and James	1516 Tempera on canvas, 45 x 38 and 46 x 37 cm Galleria degli Uffizi, Florence D?rer's monogram and the date are visible in the upper part of the two canvases, which are part of a series of twelve heads of apostles which the artist planned, though never completed. The two heads are constructed with an incisive and meticulous line, a reflection of D?rer's troubled search for moral austerity. We may recall that this was a particularly delicate time in German history, shortly before the emergence of Martin Luther and the Reformation. The two saints inspire a diffuse sense of solemn veneration, in the passionate, severe eyes, the embittered curve of the mouths, and the overabundant beards, depicted as heavy, noble masses of coiling hair.Artist:D?RER, Albrecht Title: The Apostles Philip and James Painted in 1501-1550 , German - - painting : religious
	42428		The Babylonian Whore	mk168 392x282mm
	63601		The Bagpiper	1514 Engraving, 115 x 74 mm Metropolitan Museum of Art, New York This is one of the best finished works of the artist. Like the Peasant Couple Dancing, the figure is depicted without any background or indication of the festivity for which he is playing.Artist:D?RER, Albrecht Title: The Bagpiper Painted in 1501-1550 , German - - graphics : genre
	42257		The Barnyard fool	mk168 1494
	42432		The Bearing of the Cross	mk168 woodcut 389x282mm
	42463		The Bearing of the Cross	mk168
	42443		The Betrayal Caiaphas	mk168 118x75mm 1508
	42302		The Betrayal of Christ	mk168 282x180mm Vienna.
	42436		The Birth of the virgin	mk168 297x210mm
	42345		The Birth of Venus Urania	mk168 254x195mm
	42378		The Castle at Trent	mk168 Pen and ink with watercolor on paper 196x250mm
	42223		The Cathedral of Aix-la-chapelle	mk168 126x177mm London The British Museum
	42227		The Choir of the Great Church inbergen op zoom near the upper border	mk168 132x182mm
	42232		The Church of St.John	mk168 Watercolor and tempera on paper 290x423mm
	42226		The City hall of Alx-la-Chapelle	mk168 127x189mm Musee Conde
	42324		The Coat of Arms of Death	mk168 220x159mm
	42370		The Courtyard of the Former Castle in innsbruck	mk168 368x270mm Watercolor on paper
	42371		The Courtyard of the Former Castle in Innsbruck	mk168 Watercolor on paper 335x267mm
	42235		The covered Footbridge at the haller Gate in Nuremberg	mk168 Pen and ink on paper with touches of watercolor 160x323mm
	42256		The Crab fool	mk168 1494
	42258		The Crow Fool	mk168 1494
	42447		The Crowning with Thorns	mk168 1512 Engraving 118x74mm
	42451		The Crucifixion	mk168 1507 115x71mm
	42355		The Death of Orpheus	mk168 288x225mm
	42356		The Death of Orpheus	mk168 145x216mm
	42438		The Death of the Virgin	mk168 293x206mm Woodcut
	63569		The Deformed Landser Sow	1496 Engraving, 121 x 126 mm Staatliche Kunsthalle, Karlsruhe A deformed pig is standing on a rise above a river landscape. Its body is divided towards the back. Two front legs are sticking up out of its back. The Engraving was preceded by a leaflet by Sebastian Brant, which spread the news of the birth of a two bodied, eight legged, four eared and two tongued pig in Landser. Deformed animals such as these were interpreted as divine signs by the population, referring to the end of the world which was expected to take place in about 1500. In the course of the impending Turkish invasion, the leaflet and Engraving have also been interpreted as heralding the imminent supremacy of the heathens over the Christians, or more generally the rule of the Antichrist.Artist:D?RER, Albrecht Title: The Deformed Landser Sow Painted in 1501-1550 , German - - graphics : other
	42295		The Deposition of Christ	mk168 205x290mm Pen and ink on paper
	42452		The Descent from the Cross	mk168 1507 115x71mm
	42322		The Dream of the idler	mk168 188x119mm
	63734		The Dresden Altarpiece	1496 Oil on canvas, 117 x 96,5 cm (central panel), 114 x 45 cm (each wing) Gem?ldegalerie, Dresden The altarpiece was commissioned by Frederick the Wise for the church of the Wittenberg Castle. The altarpiece was in the Kunstkammer in Dresden as early as 1687 which explains its name. The central panel depicts Mary adoring the Child, while the side wings represent St Anthony and St Sebastian. The central panel, displayed with the side panels in the Gem?ldegalerie, has also been attributed to D?rer in the past. However, this attribution was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece Painted in 1501-1550 , German - - painting : religious
	63735		The Dresden Altarpiece	1496 Oil on canvas, 117 x 96,5 cm Gem?ldegalerie, Dresden The attribution of the central panel to D?rer, displayed with the side panels in the Gem?ldegalerie, was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece (central panel) Painted in 1501-1550 , German - - painting : religious
	58701		The earliest painted Self-Portrait (1493) by Albrecht Durer	The earliest painted Self-Portrait (1493) by Albrecht D??rer, oil, originally on vellum Louvre, Paris
	42285		The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands	mk168 162x194cm Oil on poplar wood
	42446		The Flagellation of Christ	mk168 1512 118x74mm
	42440		The Flight into Egypt	mk168 woodcut 298x210mm
	84285		The Flight into Egypt	Date ca. 1496(1496) Medium Oil on pine panel Dimensions Height: 63 cm (24.8 in). Width: 45.5 cm (17.9 in). cjr
	42646		The four apostles	MK169 1526 Panel both 216x76.2cm Alte Pinakothek, Munchen
	53759		The four apostles	mk234 1523-26 215x75cm
	40340		The Four Holy Men	mk156 1526 Oil on linderwood panels 215x76cm
	52041		The Four Holy Men	1526 Oil on lindenwood, 215 x 76 cm
	45876		The four horseman	mk178 1498 woodcuts 39.4x28.1cm
	42423		The Four horsemen of the Apocalypse	mk168 394x281mm
	42344		The Four Witches	mk168 190x131mm
	42383		The Great Cannon	mk168 227x330mm 1518
	28918		The Great Colvary	mk65 Pen and brush with heightening in white lead on green Prepared paper 22 13/16x15 3/4in Uffizi,Gallery
	63562		The Great Courier	1495 Engraving, 100 x 113 mm Kupferstichkabinett, Dresden Earlier doubts have given way to the opinion that this is D?rer's first experimental engraving since a drawing was found at Danzig (presently Gdansk in Poland) which apparently served as the model for this subject. This drawing is inscribed by D?rer: This was drawn by Wolfgang Peuer in the year 1484. Nothing else is known about Peuer. He may have been an apprentice or an assistant in the goldsmith's shop of D?rer the Elder or in the workshop of D?rer's teacher, the painter Michael Wolgemut. The watermark of the paper used for the printing of this engraving, "Cardinals's Hat," was used by D?rer infrequently beginning in 1507. It was also used for the posthumous edition of D?rer's book Unterweisung der Messung (Instructions on measurement). The rarity of this print, as well as the watermark, suggests that the remaining impressions (Dresden, Melbourne, Paris aand Vienna) are posthumous.Artist:D?RER, Albrecht Title: The Great Courier Painted in 1501-1550 , German - - graphics : other
	42296		The Great Crucifixion	mk168 320x230mm
	44877		The Great Piece of Turf	mk176 1503 16x12
	42358		The Great Ture	mk168 410x315mm
	42225		The Harbor at Antwerp	mk168 pen and ink on paper 213x283mm
42366		The Head of a stag Killed by an arrow	mk168 252x392mm
42281		THe Head of christ at age twelve	mk168 275x211mm
42498		The Head of St.Paul	mk168 1526 354x288mm
42365		The Head of Stag	mk168 228x166mm 1514
42252		The Holy Family	mk168 pen and ink on paper 204x208mm
42461		The Holy Family	mk168 160x112mm Temper on vellum
42475		The Holy Family	mk168 Oil on wood 30.5x38.7cm
42250		The Holy Family in a landscape	mk168 143x115mm
42251		The Holy Family in a landscape	mk168 pen and ink on paper 290x214mm
42437		The Holy Family in egypt	mk168 295x210mm Woodcut
42253		The holy family with the dragonfly	mk168 237x186mm
42369		The Holy Family with three rabbits	mk168 390x280mm
42454		The holy trinity	mk168 392x284mm 1511
63565		The Ill-Assorted Couple or the Offer of Love	1495 Engraving, 151 x 139 mm Staatliche Museen, Berlin The style of the monogram indicates that it is one of D?rer's earliest engravings. The left-handedness of the subjects may be due to D?rer's use of an earlier model. Although a moralizing theme was read into the episode by some early commentator, D?rer probably intended to do no more than to portray purchased love.Artist:D?RER, Albrecht Title: The Ill-Assorted Couple or the Offer of Love Painted in 1501-1550 , German - - graphics : genre
42460		THe Infant Savior	mk168 118x93mm 1493
63633		The Lamentation	1522 Silverpoint, 293 x 416 mm Kunsthalle, Bremen The corpse is leaning against the knee of the Magdalen, who is seated on the ground. The Virgin is raising Christ's head and holding his left arm on her lap. St John and Joseph of Arimathea are visible in half length. This is an extremely significant sketch for a painting in the late style, in which form is entirely saturated with expression.Artist:D?RER, Albrecht Title: The Lamentation Painted in 1501-1550 , German - - graphics : religious
42336		The Large Horse	mk168 167x119mm
52054		The Large Turf	1503 Watercolor and gouache on paper 41 x 32 cm
42431		The last supper	mk168 1510 on the frame of the table woodcut 395x284mm
42453		THe Last supper	mk168 1523 Woodcut 213x301mm
63658		The Madonna and Child with a Music-making Angel	1519 Pen, 305 x 210 mm Royal Collection, Windsor There are only slight differences in tone, but an impression of richness is achieved by the very economical variation in direction of the areas of linear shading.Artist:D?RER, Albrecht Title: The Madonna and Child with a Music-making Angel Painted in 1501-1550 , German - - graphics : religious
52022		The Madonna of the Carnation	1516 Parchment on pine, 36 x 25 cm
42334		The Madonna with a Carna-tion	mk168 1516 Oil on vellum 39x29cm
42497		The Madonna with the Iris imitator of Albrecht Durer	mk168 149x117 1508 Oil on canvas
42368		The Madonna with the Monkey	mk168 191x122mm
42455		The Madonna with the pear	mk168 158x106mm 1511
42488		The Madonna with the pear	mk168 1526 Oil on wood
42486		The Madonna with the Siskin	mk168 on a small piece of paper on the table in front of the Virgin.
42291		THe Magdalen embracine the cross	mk168 Chald drawing on green grounded paper
42441		The Man of Sorrow at the Column	mk168 1509 116x75mm
42287		The Manile of the Pope	mk168 1514 Watercolor on paper 427x288mm
42286		The Mantle of the pope	mk168 1514 Watercolor on paper 427x288mm
42472		The Martyrdom of the ten thousand	mk168 99x87cm Oil on wood
63751		The Martyrdom of the Ten Thousand	1508 Oil on canvas transferred from panel Kunsthistorisches Museum, Vienna The representation of the violence of the torturers and the various positions of their victims, on their knees and lying on the ground, demonstrates the wide knowledge D?rer had acquired about the human form and laws of perspective. A refined psychological sensibility and pictorial mastery characterize almost all the figures of this tragic scene: for example, the almost cinematographic sequence of the people who are made to fall from the cliff in the top left.Artist:D?RER, Albrecht Title: The Martyrdom of the Ten Thousand (detail) Painted in 1501-1550 , German - - painting : religious
88406		The Martyrdom of the Ten Thousand	1508(1508) Medium Oil on canvas transferred from panel cjr
88411		The Martyrdom of the Ten Thousand	1508(1508) Medium Oil on canvas transferred from panel cjr
42325		The Men-s Bath	mk168 292x282mm

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